Wrote a review of the new Jason Sharp project for the CKUT music blog. Gonna slap an 8/10 on it read the review below:
“A brooding sense of instability sets in from the outset of A Boat Upon Its Blood. Rattling percussive clicks emerge from the crevices with a warm glow of electronic drone filling the barren soundscape. Around the midpoint, the audience is granted an element of melody but the uneasy darkness remains ingrained in every developmental move. With each song, bass saxophone player Jason Sharp continues to disregard comfortable resolution, utilizing the captivating nature of dissonance to its full capacity. Sharp also displays a mastery of texture throughout the record. Just as the bass saxophone lurks in the background as a simple cog in the machine, elements of ambient, electronic, and acoustic musical practices all circulate throughout the project with no single element taking over the majority of the focus.
Bookended by two long-form pieces, the record dives into a slightly more dynamic pair of tracks in the middle. In doing so Sharp avoids formula, again feeding into the idea of instability. “A Blast at Best,” the second of these tracks, offers the most direct assault on the ears. Every moment in this track is filled with abrasive sounds: from fuzzy blasts of distortion to screeching saxophone and violin sounds, Sharp truly puts all his cards on the table. This is where track listing comes into play. From the beginning, the album breathes intensity; however, it also leaves room for growth by reserving the most chaotic elements until the second half of the album. Following this loud outgoing burst, Sharp returns to long-form ideology on “Still I Sit, With You Inside Me.” Violin grasps the spotlight for eight minutes of heart-wrenching melodic work before the second part of the piece moves into hopeful bliss and a final push into the anxious intensity so present throughout the project.”