On the Monthly: May 2017

I swear I’m catching up.

Jaimie Branch-Fly or Die

‘“Fly or Die” didn’t come together in a conventional manner and it owes a little bit to each of the traditions that Branch has experienced over the years.  The record seamlessly incorporates post-production guitar ramblings, live set interpolations, and dubbed over trumpet trios without losing the sense of a single paint stroke.’

Full Review

Jessica Moss-Pools of Light

“Moss doesn’t need much to craft beauty, but her many different songwriting approaches make her debut surprising at every turn.”

Full Review

Perfume Genius-No Shape

“Perfume Genius has been prolific throughout the current decade and never fallen short of staying true to their songwriting footing.  “No Shape,” their latest, isn’t earth shattering and doesn’t mark a dismissal from Hadreas’s glam-baroque pop (with a dash of heartfelt ballad) background, however, it’s a logical step forward and never falters in delivering entertaining, emotionally moving material.”

Full Review

Arca-Arca

“Arca’s video “Reverie” is a good marker for the overall effect of his self-titled work and a true must see of 2017.  Stilted up like a gazelle, Alejandro Ghersi painstakingly inches back and forth on screen, before an animalistic phallic shape emerges out of his groin and takes control of his body, leaving his face in even more pain.  From his rear, the viewer sees blood stains.  It’s confrontational, unsettling, and carries the scars of the queer experience.”

Full Review

Feist-Pleasure

‘“Baby Be Simple” finds breathtaking delicacy at the hook and “I Wish I Didn’t Miss You” rides a cathartic lilt, but the title track finds a bit of punky bounciness and “Century” throws in a collage of punching vocals.  Tackling life’s general ups and downs, her lyrics don’t cut too deep on their own, but the intimate instrumentals make for an impactful emotional experience.’

Full Review

Blanck Mass-World Eater

‘“World Eater,” the latest from UK-based industrial/noise producer Blanck Mass, pummels and jolts.  After the quick, introductory track, “Rhesus Negative” fills itself to the brim with chaotic noise—tapping into some Aphex Twin influenced vocals and a bit of a hardcore punk bluntness in the percussive sounds—for a riveting nine minutes.’

Full Review

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